People pay for sex. This has been true for as long as we have had money. But until recently, the people paying for sex were rarely women. This was due to stereotypes about women’s libidos and sexual adventurousness that women internalized, as well as the lack of agency that many women had over their lives in and out of the bedroom. Women have historically paid a very high price in certain contexts, including the US, for exercising sexual autonomy. And there is still widely held stigma against women who pay to play. Nonetheless, recent research suggests that there has been a marked increase in women paying for sexual services as they have gained more economic independence and social mores have begun to change. This can be seen not only in women seeking out prostitutes and escorts but also in the rise of erotic massages and sex parties that cater predominantly or exclusively to female clientele. As striking as the numerical rise in these sexual practices is, the reasons why women seek them out are even more interesting. Some of these include:
As I have often said on this blog and elsewhere, our society is deeply uncomfortable with female autonomy, especially as expressed through sex. As a result, it has produced a number of narratives to control women and their sex lives. One of the oldest and most effective of these is the purity myth. That is, society’s obsession with female virginity and valuing women based on sexual constraint. In many religiously conservative communities, this is even enforced with pledges and paraphernalia like rings. However, this myth does not only root itself amongst the religiously conservative; its assumptions are shared by the culture at large. But women now more than ever are pushing back against its demands on their lives. A great example of this can be found in the work of Amber Rose. For years Rose has been bashed for her forthright sexuality and has been hounded by her ex Kanye West, who like a petulant teenager claimed he had to “take 30 showers” after their relationship before he could be with another woman. Rather than stoop to her misogynistic critics level, Rose has become an outspoken advocate for women embracing their sexuality, creating an annual SlutWalk that has drawn thousands into the streets to reject a society that shames women for engaging in sex. In pop culture, women who embrace their sexuality have often been cast as femme fatales, dangerous and not to be trusted. For many years, these characters were maligned and ignored, but we now are beginning to see new appreciation for their value as subversions of patriarchal norms. As film critic Abbey Bender recently noted in a viral tweet, these characters have also frequently been sheathed in white—the ultimate symbol of purity. By appropriating symbols of purity culture and mixing them with female ambition, rage, violence, and sexuality, these women rejigger our understandings of power and sex along lines of gender. And as I wrote in the wake of Harvey Weinstein revelations, our embrace of female sexuality is crucial to our healing of wounds caused by seeing women as objects. Screw purity, let women have their “perverse” desires freely and fully.
Names are important. They are used to address and lay claim, and often names become part of our identity and sense of self. And yet, when women marry, they are usually expected to cast all these considerations aside and change their surnames without a fuss. In the West, this legal and cultural norm can be traced back to the Norman conquest, when the practice of “coverture” was proliferated. Under coverture, a husband and wife become one entity in the eyes of the law and society, erasing a wife’s independent identity and rights. This historical foundation has been a powerful constraint for women’s sexual and professional autonomy. Just a few decades ago, as reporting from The Atlantic shows, this philosophy led to women being pulled from welfare for having extramarital sex and being excluded from many professions. And it remains uncommon for this dynamic to run in the opposite direction; it is still exceedingly rare for a man to take his wife’s name, which has much to do with cultural scripts. Or as singer Kylie Minogue once remarked, “Nobody wants to be Mr Minogue. It takes a very strong man to put themselves in that position and I fully appreciate that." In much of the world, the US very much included, a wife’s decision to keep her own name is seen as an emasculation of her husband. Thus a woman’s decision is framed in terms of its consequences for a man. Most can’t seem to muster any empathy for women’s suffering for relinquishing their names—identity erasure, bureaucratic hurdles, and professional penalties. (Worse, some data suggest half of Americans believe it should be legally required that a woman assume her husband’s last name!) Even in places where women do not typically take their husband’s name after marriage, there are still deeply rooted traditions that connect a woman’s value to attachment to a man; if not a husband, then a father. There are a handful of notable outlier nations like Greece and France, where it is actually illegal for a woman to assume her husband’s name (and some where they need not take a familial name at all), but even here regressive norms persist. Men are more likely than women to be known and addressed by their surnames, which often confers authority and respect and deepens gendered inequality. A recent New York Times report showed that at Wimbledon there continues to be a gendered practice of identifying female champions by their husband’s name (even in cases like Billie Jean King’s, where the couple has been long separated). Of a piece with this, earlier this week a mother and daughter were hassled at Dallas–Fort Worth International Airport due to a difference of surnames, with the mother being berated by a Customs and Border Patrol agent that she should have taken her husband’s name to confirm maternity. These recent cases highlight the enduring ways that marriage and naming practices are used to constrain and control women. We have a name for this: patriarchy.
Joan Didion famously wrote that “we tell ourselves stories in order to live.” But our society also tells many stories in order to suppress and control, harm and abuse. This is particularly evident in our stories about women, which often have a simple, insidious throughline: that women who are autonomous and empowered are untrustworthy and dangerous. This fiction finds life in everything from the false but popular Madonna-Whore dichotomy—where only fathers or husbands can contain womens’ terrible force—or the constant, feckless chastizing of Maxine Waters by pundits and other politicans for daring to use her voice and platform. Earlier this week, Bloomberg ran a piece on the plight of single mothers in Japan that put the consequences of our societies’ stories about women in stark relief. The article highlights the countless ways in which single mothers and their children suffer materially, psychologically, and socially in one of the world’s wealthiest nations. Worse still, single mothers in Japan with jobs do worse on almost every metric than those who don’t work, and the article pointedly suggests this has as much to do with taboo as economics. In my new book, Untrue, I similarly relate the copious literature showing that women in the US fare substantially worse financially from a divorce than men do, and that the only meaningful recourse is remarriage. What these facts tell us is that women are most valued when attached to a man and that the penalties for existing outside attachment to a man are severe. Some prominent new voices in pop culture have been pushing back against these narratives, allowing women to carve out space on their own professionnal, sexual, and cultural terms. There is Phoebe Waller-Bridge’s Fleabag, Issa Rae’s Insecure, Roxane Gay’s Difficult Women, Hannah Gadsby’s astounding new comedy special Nanette, and so so many more. In all of these brilliant works, female creators are presenting stories where women can be unruly, angry, unsure, empowered, alone, or in community of their choosing. But the world around them is still playing catch up. A recent study from the National Bureau of Economic Research argues that across developed nations the cost of modern maternity is a consistent pattern of women failing to realize both their professional and reproductive aspirations. A gap that the study’s authors contend is unaffected by currently implemented policy prescriptions like extended maternity leave. The picture their study paints is of a world where we have raised women’s expectations for their lives without meaningfully changing the offices or homes they inhabit. (To be fair, this week the Supreme Court tried to bring women's expectations back down, ruling that so-called "crisis pregnancy centers" can lie about abortion and reproductive health.) We may be beginning to get better stories about women (thanks to listening to the ones they tell themselves), but we are still a long way from seeing these stories lead our politics and culture.
I will be speaking with Dr. Tammy Nelson, author of The New Monogamy, on her webinar The Future of Marriage about The Future of Female. Tune in on Wednesday, May 2nd at 12pm! Register online NOW and explore with us the topics of women, sex, monogamy, female libido, lust, infidelity, gender equality and more!
